Times have changed, and if you want to make some part (or all) of your living by writing, recording or performing music, you actually have to SELL something. That is, you have to offer something that will compel people to GIVE YOU THEIR MONEY.

I have earned my living solely from performing and teaching music for the past two years without having to get a day-job! I have found that a lot of the players in college who were considered the best are having a harder time making rent than some of the more determined underdogs. Because I was not the best musician, I had to be REAL and HONEST about what I could offer a venue when booking a gig. For me, honesty has worked better than any trick out there! Hopefully, my experience will help you on your own path.

Most successful songwriters I know have some degree of natural talent, but in my experience, the ones who really shine have invested a fair amount into their musical education.

I’m absolutely insane about cymbals. Dry, dark, washy and wobbly, I’m constantly looking for nice sounds, not matter the manufacturer. Over the years, my personal tastes and musical roles have led to a very big, dark, washy sound.

Sometimes we write songs that suck. It’s part of the process. The more you write, the better the odds that you’ll find a keeper. Think of it methodically for a little while.

If you’re like me, part of being a musician means I’m not the best at math (I know that doesn’t hold true for all you math rockers out there!). The first year I quit my job, and when out on my own freelancing was terrifying. Making ends meet, budgeting, paying the bill. It adds up to quite a bit of calculation.